Tuesday, August 21, 2012

Episode 31, July 2nd 2012

Hello and welcome back to another episode of Highbrow! Lowbrow? the podcast where Jesse and Shaun get together every two weeks or so to talk movies. We take a look at the Best Picture Academy Award Winner and top box office earner of the same year to see who was right: the critics or the masses. For this episode, we examine the year 1948 with a Highbrow choice of Hamlet and a Lowbrow(?) choice of The Red Shoes.



 Hamlet, directed by Laurence Olivier, also stars Olivier as the titular Hamlet, the classic Shakespearean tragedy of young Prince Hamlet's quest to avenge his father's murder, destroying his family in the process. Jesse and Shaun differed on the sets with Jesse enjoying the stagecraft and play-like feel of the film, while Shaun felt it was too stagey for a movie. They both agreed the special effects were strong, especially with the representation of Hamlet's father, who remains chilling to this day. Laurence Olivier does a fantastic job as Hamlet, really conveying that sense of madness and determination as Hamlet discovers more and more of the treachery within his family. Shaun felt that Olivier's performance overshadowed the other actors who couldn't match up, while Jesse thought the stage presence of the cast was strong and provided a good foil to Hamlet's madness. Critics of the past critiqued the film for not adhering to Shakespeare's text, but both Jesse and Shaun agree that liberty and reinterpretation should be used in adapting any material from one medium to the next. Hamlet succeeds as a an authentic representation of Shakespeare's work on film, and Olivier shines as Hamlet.


The Red Shoes, directed by Michael Powell and Emeric Pressburger, is the tale of young ballet dancer, Victoria Page (Moira Shearer), who is torn between her love of dance with the famous Lermontov Company and her composer boyfriend, Julian Craster (Marius Goring). Boris Lermontov (Anton Walbrook) haunts and plays with both Victoria and Julian due to his intense desire to make the world's best dancer. The story is relatable to anyone with artistic backgrounds as Victoria often finds herself at odds with her career and art versus her own personal life. The play within the play perfectly mirrors her feelings of being pulled apart by her lover and her passion, passion being a constant test to excel yourself. Shearer's dancing stands strong throughout the film and she really holds the piece together, she conveys both through face and body language the desperation of Victoria. Walbrook plays a nuanced Lermontov who is mysterious and charming, you never know where his desires really lie. This is an engaging and deep film that draws you as it explores the depths of artistic passion and how far we will go to pursue them.

So which film did the HBLB duo end up picking? The tragic poetry of Hamlet (Highbrow) or the depths of artistic desires in The Red Shoes (Lowbrow)? Listen to the next episode of Highbrow! Lowbrow to find out!



Friday, August 3, 2012

Episode 30, May 21st 2012

Welcome to another episode of Highbrow! Lowbrow? the podcast where Jesse and Shaun get together to talk about the Best Picture Academy Award Winner and top box office earner of the same year to see who was right: the critics or the masses. This latest episode features two epic films in scope and in length from the year 1956, the globe hopping journey, Around the World In 80 Days (Highbrow) and the biblical story, The Ten Commandments (Lowbrow).


Around The World In 80 Days, directed by Michael Anderson, is the journey of english gentleman, Phileas Fogg (David Niven), as he tries to complete a tour of the world in 80 days in a bet against his fellow Reform Club members. Accompanying him is his loyal assistant, Passepartout (Cantinflas), bumbling around, but proving his worth in his own way again and again. This film had an overbearing running time that really dragged the story out, you can definitely feel the time as he begins hitting locations such as India or China. The cinematography really showcased the international sites, from the vibrant spanish dancing to the exotic eastern jungles. Jesse enjoyed the British banter between the banker friends, while Shaun found it boring and stale. They both enjoyed the antics of Passepartout, recalling the physical comedy of Charlie Chaplin. Though it can be a fun romp and it has it's exciting moments, Around The World In 80 Days can't maintain interest throughout it's lengthy running time.


The Ten Commandments, directed by Cecil B. DeMille, is the classic story of Moses (Charlton Heston) as he discovers his Jewish heritage, and rises up against the Egyptians to free the Jews from slavery. This film as well had a pretty massive running time that also begins to feel overwhelming. Charlton Heston proves his presence in this film as always with such a strong and confident approach to the role that made it memorable. The literal interpretation of the Bible in the movie leaves something to be desired, since the story needed a little adapting for it to really be consistently engaging. The massive sets and huge number of people needed to pull this film off is really amazing as you see hordes of people traveling along the Dead Sea and monuments being recreated from the era. Weighed down by a hefty running time, the Ten Commandments is an enduring and engaging biblical film that eventually begins to wear on you.

So which film did Jesse and Shaun end up liking more? The journey of Moses in The Ten Commandments (Lowbrow) or the light-hearted globe hopping adventures of Fogg and Passepartout in Around The World In 80 Days (Highbrow)? Check out the latest Highbrow! Lowbrow? to find out.